Showing posts with label florida photography tips. Show all posts
Showing posts with label florida photography tips. Show all posts

Friday, November 5, 2010

Florida white tailed deer

White tailed deer are quite common in Florida, though seldom seen in the cities. I have lived in Clearwater for nearly ten years now and have yet to see a deer within 5 miles of my home. I spend a lot of early morning and evening hours out and about with my camera at parks in the area, prime times and places, and still have never seen one. I include the neighboring communities of Seminole, Largo, Pinellas Park and the beach towns of the barrier islands in this lack of deer sightings.

Driving a little farther north to rural Pinellas County, east and north of Tarpon Lake, and I see deer on nearly every trip. This morning I made the 25 minute trip to John Chestnut Senior Park on East Lake Road on the southeast corner of Tarpon Lake. I arrived just after sunrise on a cloudy, cool and blustery day. I saw more than 30 deer during my 1 ½ hour stay, most visible from paved park roads and unafraid of passing vehicles.
This visit also gave me a look at the largest buck I have in Florida to date. He was quite an impressive specimen. He was so busy with his harem that he barely paid any attention to me. The girls were all much more interested in breakfast than one more person with a camera.
Brooker Creek Preserve on Keystone Road, a little farther north and east, is another place I consistently see white tailed deer. Early morning and evening, dawn and dusk, are by far the best times to be out if you want to see these great animals. Florida’s population is so dense, particularly in my home county of Pinellas, that the animals are generally quite used to vehicles and people on foot. As long as movements are kept slow and deliberate and not overtly aggressive, the deer will normally allow quite a close approach. This makes photography much easier and more intimate.
The photos illustrating this post were taken this morning. Digital ISO was set to 800 and lens aperture to f/5.6 for the low light level(cloudy dawn). Shutter speeds were still in the one second range for these photos. A tripod was used and image stabilization was turned off. In this type of situation I like to shoot in bursts of 2-3 shots. Approximately one shot out of ten was useable because of subject movement during the long shutter speed. Fine detail suffers at this high ISO with my Digital Rebel XSi but many newer cameras do a much better job at even higher ISO speeds.

Tuesday, November 2, 2010

Florida's egrets and basic wildlife photography tips

 Great egret fishing

Florida has two common native egrets: the great egret(similar in size to the great blue heron but solid white) and the snowy egret(similar in size to little blue and tri-color herons but solid white). Egret will be found the same areas as herons and share similar habits. The best opportunities for egret photography also coincide with that of herons.
Snowy egret on beach

This post will focus on some of the fundamentals of wildlife photography, applicable to all animal subjects. Keeping these basic guidelines in mind while taking wildlife photos will make for more “ooh’s and “ahh’s” from people looking at your shots. These rules apply just as well to general photography.
Great egret with a large fish for breakfast


Control the background as much as possible. Think about the background before releasing the shutter. Are you trying to show the egret in its natural environment with everything sharp and recognizable or do you want an isolated portrait against a plain background? Quite often both types of shot can be achieved by simply changing the lens aperture to control depth of field. Shadowed areas and bright sky also make effective dark or light backgrounds. The background is a choice by the photographer and moving the camera even a few inches or changing the aperture can have a huge impact on the final image.
Snowy egret against a dark backgound of shadowed, out-of-focus foliage

Use a tripod, or at least a monopod, whenever possible. Carrying a tripod everywhere can seem inconvenient but the improvement you see in your final images will convince you. A tripod allows(forces?) more careful framing of the subject(try to avoid objects jutting into the frame and distracting bright spots near the edges). Tripods permit more careful evaluation of depth-of-field for exactly the effect you are trying to achieve. Slow shutter speeds are not a problem when small apertures are needed for maximum depth-of-field. Just as important as anything else, maximum image sharpness is only possible when the camera is mounted on a tripod. Image stabilization, whether in the lens or in the camera body is a big help when hand-holding but cannot replace a solid tripod.
Snowy egret with back-lighting and out-of-focus water in the background

Pay attention to the exposure histogram. Make sure not to overexpose the highlight areas, especially when shooting white subjects like Florida’s egrets. If needed, and if a tripod is used, two or three frames can be exposed at different exposures and then combined during post-processing to keep all shadow and highlight details. At least be aware if your camera cannot capture the full contrast range of the image and make a conscious decision about where it is better to lose detail.